8:41 pm - Mon, Sep 29, 2014
2 notes
A BEAUTIFUL ANIMATED INFOGRAPHIC DECONTRUCTS THE MECHANICS OF FLIGHT
The science doesn’t have to be exact to be beautiful.
Digital artist Eleanor Lutz is on a roll. After taking a year off from college to pursue her two passions — science and art — she has been creating beautiful infographics that have been going viral.
First she created a lovely infographic of the bioluminescent tree of life. Then she stepped up her game and gave us an animated poster of North American butterflies. Lutz’s latest is another colorful and animated masterpiece of information and creativity: animal flight videos deconstructed.
It’s important to point out that Lutz is the first to admit that this isn’t a perfect representation of animal flight mechanics, nor is it necessarily 100 percent accurate. “This week’s post isn’t entirely scientific, but I thought I’d upload it anyway since it’s related to animals and patterns in nature,” she says on her website. But the infographic is a great way to show the rudimentary physics of flight. For example, the flight requirements of the Canadian goose — long-distance flying — are very different from those of the hummingbird — darting and hovering — and you can get a sense of how those difference are reflected by the animals’ wing motions.
And Lutz isn’t simply messing around with Photoshop here. From her website:
I found slow-motion videos of five flying species, and mapped out specific points on the wings during one wingbeat. I ended up with 15 frames per wingbeat, and I connected every frame using imaginary curves that went through all of the 15 mapped points.
15 points of motion tracking is never going to be as gorgeous or as informative as watching a hummingbird flap in glorious slow motion, but you’d be hard-pressed to find a better representation of all that information in one pleasant and very sharable animated image.
You can grab a (non-animated, obviously) poster version here.

A BEAUTIFUL ANIMATED INFOGRAPHIC DECONTRUCTS THE MECHANICS OF FLIGHT

The science doesn’t have to be exact to be beautiful.

Digital artist Eleanor Lutz is on a roll. After taking a year off from college to pursue her two passions — science and art — she has been creating beautiful infographics that have been going viral.

First she created a lovely infographic of the bioluminescent tree of life. Then she stepped up her game and gave us an animated poster of North American butterflies. Lutz’s latest is another colorful and animated masterpiece of information and creativity: animal flight videos deconstructed.

It’s important to point out that Lutz is the first to admit that this isn’t a perfect representation of animal flight mechanics, nor is it necessarily 100 percent accurate. “This week’s post isn’t entirely scientific, but I thought I’d upload it anyway since it’s related to animals and patterns in nature,” she says on her website. But the infographic is a great way to show the rudimentary physics of flight. For example, the flight requirements of the Canadian goose — long-distance flying — are very different from those of the hummingbird — darting and hovering — and you can get a sense of how those difference are reflected by the animals’ wing motions.

And Lutz isn’t simply messing around with Photoshop here. From her website:

I found slow-motion videos of five flying species, and mapped out specific points on the wings during one wingbeat. I ended up with 15 frames per wingbeat, and I connected every frame using imaginary curves that went through all of the 15 mapped points.

15 points of motion tracking is never going to be as gorgeous or as informative as watching a hummingbird flap in glorious slow motion, but you’d be hard-pressed to find a better representation of all that information in one pleasant and very sharable animated image.

You can grab a (non-animated, obviously) poster version here.

(Source: nerdist.com)

1:12 pm
94,228 notes

Amen.

(Source: sandandglass, via supirosu)

1:07 pm
510,563 notes
darkestgreen:

thebestworstidea:

resilientkate:

softgore:


“This piece was primarily a trust exercise, in which she told viewers she would not move for six hours no matter what they did to her.  She placed 72 objects one could use in pleasing or destructive ways, ranging from flowers and a feather boa to a knife and a loaded pistol, on a table near her and invited the viewers to use them on her however they wanted.  
Initially, Abramović said, viewers were peaceful and timid, but it escalated to violence quickly.  “The experience I learned was that … if you leave decision to the public, you can be killed… I felt really violated: they cut my clothes, stuck rose thorns in my stomach, one person aimed the gun at my head, and another took it away. It created an aggressive atmosphere. After exactly 6 hours, as planned, I stood up and started walking toward the public. Everyone ran away, escaping an actual confrontation.”
This piece revealed something terrible about humanity, similar to what Philip Zimbardo’s Stanford Prison Experiment or Stanley Milgram’s Obedience Experiment, both of which also proved how readily people will harm one another under unusual circumstances.” 
This performance showed just how easy it is to dehumanize a person who doesn’t fight back, and is particularly powerful because it defies what we think we know about ourselves. I’m certain the no one reading this believes the people around him/her capable of doing such things to another human being, but this performance proves otherwise.”

this is why performance art is important


So every single person who told me ‘ignore them they’ll go away’ and ‘you can’t let them know they bothered you’ and ‘They’ll stop if they don’t see you react’ and all that bull shit, my entire school career, I want you to look good and hard at this.
I want you to think about what you said.
What you keep saying.
What you are telling your children.
You are making them powerless.

that last comment. actually crying.
The public be damned.

darkestgreen:

thebestworstidea:

resilientkate:

softgore:

“This piece was primarily a trust exercise, in which she told viewers she would not move for six hours no matter what they did to her.  She placed 72 objects one could use in pleasing or destructive ways, ranging from flowers and a feather boa to a knife and a loaded pistol, on a table near her and invited the viewers to use them on her however they wanted. 

Initially, Abramović said, viewers were peaceful and timid, but it escalated to violence quickly.  “The experience I learned was that … if you leave decision to the public, you can be killed… I felt really violated: they cut my clothes, stuck rose thorns in my stomach, one person aimed the gun at my head, and another took it away. It created an aggressive atmosphere. After exactly 6 hours, as planned, I stood up and started walking toward the public. Everyone ran away, escaping an actual confrontation.”

This piece revealed something terrible about humanity, similar to what Philip Zimbardo’s Stanford Prison Experiment or Stanley Milgram’s Obedience Experiment, both of which also proved how readily people will harm one another under unusual circumstances.”

This performance showed just how easy it is to dehumanize a person who doesn’t fight back, and is particularly powerful because it defies what we think we know about ourselves. I’m certain the no one reading this believes the people around him/her capable of doing such things to another human being, but this performance proves otherwise.”

this is why performance art is important

So every single person who told me ‘ignore them they’ll go away’ and ‘you can’t let them know they bothered you’ and ‘They’ll stop if they don’t see you react’ and all that bull shit, my entire school career, I want you to look good and hard at this.

I want you to think about what you said.

What you keep saying.

What you are telling your children.

You are making them powerless.

that last comment. actually crying.

The public be damned.

(Source: andrewfishman, via three0fspades)

6:36 pm - Sun, Sep 28, 2014
2 notes
Well, one thing is for certain JJ Abrams has obviously disproved Ghosts & RODS, no that lens flare is not a ghost…. fuck man just watch the last two Star Treks to see what happens when you point a glass lens at your light source….or perhaps he’s the Alien leader?
Buck D Addams
6:23 pm
59,055 notes

tinyhousedarling:

Yuri’s Tiny House
http://tinyhousetalk.com/tiny-house-inspires-us-live-smarter-better/

Ahhhh!!!! The reading nook!!!!

Zahhhhh the Gypsy Life, bitchez.

(via spooky-pens)

3:03 pm
55,098 notes

shmurdapunk:

Rina Takeda [x]

look how powerful her legs are

Wow…

(Source: 0ci0, via add-an-axe)

2:34 pm
6,811 notes
1:27 pm
113,320 notes

based-dreamer:

archatlas:

CityscapesJeremy Mann

these are sick

(via wickedengine)

10:45 am
16,755 notes
You crave the deepest connections with others, but you don’t trust to let anyone in.
Unknown   (via oxigold)

(Source: psych-facts, via lady-su)

10:44 am
975 notes
um-this-is-awkward:

creepyhoppip:

[Annabelle]
This is the story of a Raggedy Ann doll named Annabelle.
Annabelle was the focus of a case that famed paranormal investigators Ed and Lorraine Warren took part in during the early 1970s and is highlighted in the book ‘The Demonologist’. It has been stated that this is one of the most unusual cases of a possessed object on record.
In 1970 a mother purchased an antique Raggedy Ann Doll from a hobby store. The doll was a present for her daughter Donna on her birthday. Donna, at the time, was a student in college, preparing to graduate with her nursing degree and resided in a tiny apartment with her roommate Angie (a nurse as well). Pleased with the doll, Donna placed it on her bed as a decoration and didn’t give it a second thought until a few days later. Within that time, both Donna and Angie noticed that there appeared to be something very strange and creepy about the doll.
The doll apparently moved on its own, relatively unnoticeable movements at first, like a change in position, but as time passed the movement became more noticeable. Donna and Angie would come home to find the doll in a completely different room from which they had left it. Sometimes the doll would be found crossed legged on the couch with its arms folded, other times it was found upright, standing on its feet, leaning against a chair in the dining room.
Several times Donna, placing the doll on the couch before leaving for work, would return home to find the doll back in her room on the bed with the door closed.
-The Message-
Apparently the doll not only moved but could write too. About a month into their experiences Donna and Angie began to find penciled messages on parchment paper that read “Help Us” and “Help Lou”. The hand writing looked to belong to that of a small child. The creepy part about the messages was not the wording but the way they were written. At the time Donna had never kept parchment paper, on which the notes were written, in the house, so where did it come from?
-The Medium-
One night Donna came home to find the doll had moved again, this time it was on her bed. Donna had come to find that this was typical of the doll but somehow she knew this time it was different, something wasn’t right. A sense of fear came over her when she inspected the doll and saw what looked like blood drops on the back of its hands and its chest. Seemingly, from nowhere, a red liquid had appeared on the doll. Scared and desperate, Donna and Angie decide it was time to seek expert advice.
Not knowing where to turn, they contacted a medium and a séance was held. Donna was then introduced to the spirit of Annabelle Higgins. The medium related the story of Annabelle to both Donna and Angie. Annabelle was a young girl that resided on the property before the apartments were built. She was a young girl of only seven years old when her lifeless body was found in the field upon which the apartment complex now stands. The spirit related to the medium that she felt comfort with Donna and Angie and wanted to stay with them by moving into the doll. Feeling compassion for Annabelle and her story Donna gave her permission to inhibit the doll and stay. They were to soon find out however, that Annabelle was not what she seemed.
-Lou-
Lou was friends with Donna and Angie and had been with them since the day the doll arrived. Lou had never been fond of the doll and on several occasions warned Donna that it was evil and to get rid it of it. Donna had a compassionate tie to the doll and not giving much credence to Lou’s feelings, kept it. Donna’s decision, it turns out, was a terrible mistake.
Lou awoke one night from a deep sleep and in panic. Once again he had a recurring bad dream. Only this time, somehow, something seemed different. It was as though he was awake but couldn’t move. He looked around the room but couldn’t discern anything out of the ordinary and then it happened. Looking down toward his feet he saw the doll, Annabelle. It began to slowly glide up his leg, moved over his chest and then stopped. Within seconds the doll was strangling him. Paralyzed and gasping for breath Lou, at the point of asphyxiation, blacked out. Lou awoke the next morning, certain it wasn’t a dream, and Lou was determined to rid himself of that doll and the spirit that possessed it. Lou, however, would have one more terrifying experience with Annabelle. Preparing for a road trip the next day, Lou and Angie were reading over maps alone in her apartment. The apartment seemed eerily quiet. Suddenly, rustling sounds coming from Donna’s room roused fear that someone had possibly broken into the apartment.
Lou, determined to figure out whom or what it was, quietly made his way to the bedroom door. He waited for the noises to stop before entering and turning on the light. The room was empty except for Annabelle, whom was tossed on the floor in the corner. Lou scoured the room for forced entry but nothing was out of place. But as he got close to the doll he got the distinct impression that somebody was behind him. Spinning around he was quick to realize that nobody else was there. Then in flash he found himself grabbing for his chest, doubled over, cut and bleeding. His shirt was stained with blood and upon opening his shirt, there on his chest were what appeared to be 7 distinct claw marks.
-Paranormal Investigation: The Warrens-
Donna finally was willing to believe the spirit in the house was not that of a young girl, but inhuman and demonic in nature. After Lou’s’ experiences, Donna felt it was time to seek real expert advice and contacted an Episcopal priest named Father Hegan. Father Hegan referred their case to Ed and Lorraine Warren. Ed and Lorraine Warren immediately took interest in the case and contacted Donna concerning the doll. The Warrens, after grueling over the case facts for hours, came to the conclusion that the doll itself was not, in fact possessed, but haunted.
Spirits do not possess inanimate objects like houses or toys, they possess people. A spirit will attach itself to an object and this is what occurred in the Annabelle case. The spirit moved the doll around and created the illusion of it being alive. Truly, the spirit was not looking to stay attached to the doll; it was looking to possess a human host.
The spirit, or in this case, an inhuman demonic spirit, was essentially in the infestation stage of the phenomenon. It first began moving the doll around the apartment by means of teleportation to arouse the occupants’ curiosity in hopes that they would make the predictable mistake of bringing a medium into the apartment to communicate with it, which the girls did. Now able to communicate through the medium, the entity preyed on the girls’ emotional vulnerabilities by pretending to be a rather harmless young girl, with which, during the séance, managed to extract permission from Donna to haunt the apartment. Insofar, as demon is a negative spirit, it then set about causing patently negative phenomena to occur; it roused fear through the weird movements of that doll, it brought about the materialization of disturbing handwritten notes, it left a residue of blood on the doll, and ultimately, it even struck the Lou on the chest, leaving behind claw marks. The next stage of the phenomenon would have been complete human possession. Had these experiences lasted another 2 or 3 weeks the spirit would have completely possessed, if not harmed or killed one or all of the occupants in the house.
At the conclusion of the investigation, the Warrens felt it appropriate to have a recitation of an exorcism blessing by a priest to cleanse the apartment. “The Episcopal blessing of the home is a wordy, seven page document that is distinctly positive in nature. Rather than specifically expelling evil entities from the dwelling, the emphasis is instead directed toward filling the home with the power of the positive and of God.” (Ed Warren).
At Donna’s request, and as a further precaution against the phenomena ever occurring in the home again, the Warrens took the big rag doll along with them when they left. For the next few days, after the Warrens arrived home, Ed sat the doll in a chair next to his desk. The doll levitated a number of times in the beginning, and then it seemed to fall inert. During the ensuing weeks, however, it began showing up in various rooms of the house. When the Warrens were away and had the doll locked up in the outer office building, they would often return to find it sitting comfortably upstairs in Ed’s easy chair when they opened the main front door. Although the phenomenon was the same as that which had occurred in the apartment neither Lorraine nor Ed were ever physically attacked.
-Today-
I hope you enjoyed this article and should you ever want to visit the famous Annabelle, she can be found at the Warren Occult Museum in Moodus, Connecticut. The museum is run by Lorraine Warren, the famous paranormal investigator, and now frequent guest on the television show “Paranormal State”. Housed in a glass case at the museum you will find Annabelle. Mrs. Warren relates that Annabelle still moves about occasionally and is still known to make growling noises at unsuspecting visitors.

brb while i shit my pants

um-this-is-awkward:

creepyhoppip:

[Annabelle]

This is the story of a Raggedy Ann doll named Annabelle.

Annabelle was the focus of a case that famed paranormal investigators Ed and Lorraine Warren took part in during the early 1970s and is highlighted in the book ‘The Demonologist’. It has been stated that this is one of the most unusual cases of a possessed object on record.

In 1970 a mother purchased an antique Raggedy Ann Doll from a hobby store. The doll was a present for her daughter Donna on her birthday. Donna, at the time, was a student in college, preparing to graduate with her nursing degree and resided in a tiny apartment with her roommate Angie (a nurse as well). Pleased with the doll, Donna placed it on her bed as a decoration and didn’t give it a second thought until a few days later. Within that time, both Donna and Angie noticed that there appeared to be something very strange and creepy about the doll.

The doll apparently moved on its own, relatively unnoticeable movements at first, like a change in position, but as time passed the movement became more noticeable. Donna and Angie would come home to find the doll in a completely different room from which they had left it. Sometimes the doll would be found crossed legged on the couch with its arms folded, other times it was found upright, standing on its feet, leaning against a chair in the dining room.

Several times Donna, placing the doll on the couch before leaving for work, would return home to find the doll back in her room on the bed with the door closed.

-The Message-

Apparently the doll not only moved but could write too. About a month into their experiences Donna and Angie began to find penciled messages on parchment paper that read “Help Us” and “Help Lou”. The hand writing looked to belong to that of a small child. The creepy part about the messages was not the wording but the way they were written. At the time Donna had never kept parchment paper, on which the notes were written, in the house, so where did it come from?

-The Medium-

One night Donna came home to find the doll had moved again, this time it was on her bed. Donna had come to find that this was typical of the doll but somehow she knew this time it was different, something wasn’t right. A sense of fear came over her when she inspected the doll and saw what looked like blood drops on the back of its hands and its chest. Seemingly, from nowhere, a red liquid had appeared on the doll. Scared and desperate, Donna and Angie decide it was time to seek expert advice.

Not knowing where to turn, they contacted a medium and a séance was held. Donna was then introduced to the spirit of Annabelle Higgins. The medium related the story of Annabelle to both Donna and Angie. Annabelle was a young girl that resided on the property before the apartments were built. She was a young girl of only seven years old when her lifeless body was found in the field upon which the apartment complex now stands. The spirit related to the medium that she felt comfort with Donna and Angie and wanted to stay with them by moving into the doll. Feeling compassion for Annabelle and her story Donna gave her permission to inhibit the doll and stay. They were to soon find out however, that Annabelle was not what she seemed.

-Lou-

Lou was friends with Donna and Angie and had been with them since the day the doll arrived. Lou had never been fond of the doll and on several occasions warned Donna that it was evil and to get rid it of it. Donna had a compassionate tie to the doll and not giving much credence to Lou’s feelings, kept it. Donna’s decision, it turns out, was a terrible mistake.

Lou awoke one night from a deep sleep and in panic. Once again he had a recurring bad dream. Only this time, somehow, something seemed different. It was as though he was awake but couldn’t move. He looked around the room but couldn’t discern anything out of the ordinary and then it happened. Looking down toward his feet he saw the doll, Annabelle. It began to slowly glide up his leg, moved over his chest and then stopped. Within seconds the doll was strangling him. Paralyzed and gasping for breath Lou, at the point of asphyxiation, blacked out. Lou awoke the next morning, certain it wasn’t a dream, and Lou was determined to rid himself of that doll and the spirit that possessed it. Lou, however, would have one more terrifying experience with Annabelle. Preparing for a road trip the next day, Lou and Angie were reading over maps alone in her apartment. The apartment seemed eerily quiet. Suddenly, rustling sounds coming from Donna’s room roused fear that someone had possibly broken into the apartment.

Lou, determined to figure out whom or what it was, quietly made his way to the bedroom door. He waited for the noises to stop before entering and turning on the light. The room was empty except for Annabelle, whom was tossed on the floor in the corner. Lou scoured the room for forced entry but nothing was out of place. But as he got close to the doll he got the distinct impression that somebody was behind him. Spinning around he was quick to realize that nobody else was there. Then in flash he found himself grabbing for his chest, doubled over, cut and bleeding. His shirt was stained with blood and upon opening his shirt, there on his chest were what appeared to be 7 distinct claw marks.

-Paranormal Investigation: The Warrens-

Donna finally was willing to believe the spirit in the house was not that of a young girl, but inhuman and demonic in nature. After Lou’s’ experiences, Donna felt it was time to seek real expert advice and contacted an Episcopal priest named Father Hegan. Father Hegan referred their case to Ed and Lorraine Warren. Ed and Lorraine Warren immediately took interest in the case and contacted Donna concerning the doll. The Warrens, after grueling over the case facts for hours, came to the conclusion that the doll itself was not, in fact possessed, but haunted.

Spirits do not possess inanimate objects like houses or toys, they possess people. A spirit will attach itself to an object and this is what occurred in the Annabelle case. The spirit moved the doll around and created the illusion of it being alive. Truly, the spirit was not looking to stay attached to the doll; it was looking to possess a human host.

The spirit, or in this case, an inhuman demonic spirit, was essentially in the infestation stage of the phenomenon. It first began moving the doll around the apartment by means of teleportation to arouse the occupants’ curiosity in hopes that they would make the predictable mistake of bringing a medium into the apartment to communicate with it, which the girls did. Now able to communicate through the medium, the entity preyed on the girls’ emotional vulnerabilities by pretending to be a rather harmless young girl, with which, during the séance, managed to extract permission from Donna to haunt the apartment. Insofar, as demon is a negative spirit, it then set about causing patently negative phenomena to occur; it roused fear through the weird movements of that doll, it brought about the materialization of disturbing handwritten notes, it left a residue of blood on the doll, and ultimately, it even struck the Lou on the chest, leaving behind claw marks. The next stage of the phenomenon would have been complete human possession. Had these experiences lasted another 2 or 3 weeks the spirit would have completely possessed, if not harmed or killed one or all of the occupants in the house.

At the conclusion of the investigation, the Warrens felt it appropriate to have a recitation of an exorcism blessing by a priest to cleanse the apartment. “The Episcopal blessing of the home is a wordy, seven page document that is distinctly positive in nature. Rather than specifically expelling evil entities from the dwelling, the emphasis is instead directed toward filling the home with the power of the positive and of God.” (Ed Warren).

At Donna’s request, and as a further precaution against the phenomena ever occurring in the home again, the Warrens took the big rag doll along with them when they left. For the next few days, after the Warrens arrived home, Ed sat the doll in a chair next to his desk. The doll levitated a number of times in the beginning, and then it seemed to fall inert. During the ensuing weeks, however, it began showing up in various rooms of the house. When the Warrens were away and had the doll locked up in the outer office building, they would often return to find it sitting comfortably upstairs in Ed’s easy chair when they opened the main front door. Although the phenomenon was the same as that which had occurred in the apartment neither Lorraine nor Ed were ever physically attacked.

-Today-

I hope you enjoyed this article and should you ever want to visit the famous Annabelle, she can be found at the Warren Occult Museum in Moodus, Connecticut. The museum is run by Lorraine Warren, the famous paranormal investigator, and now frequent guest on the television show “Paranormal State”. Housed in a glass case at the museum you will find Annabelle. Mrs. Warren relates that Annabelle still moves about occasionally and is still known to make growling noises at unsuspecting visitors.

brb while i shit my pants

(Source: hoppup, via psh51f)

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